domingo, 24 de noviembre de 2019

La cubrición de los yacimientos arqueológicos (arquitectura y arqueología)


Texto de la ponencia de quince minutos de duración leída por Tiziano Schürch en el congreso anual de la American School of Oriental Research (ASOR) el viernes pasado en San Diego (EEUU) 


IN SEARCH OF LOST SPACE:

UNDER THE PROTECTION OF RUINS
New paradigms on protective shelters in the Middle East

Pedro Azara & Tiziano Schürch (UPC-ETSAB, Barcelona)


This paper is a summery of the research project for exhibition we are preparing, which deals with architectonical interventions in archaeological sites.

Introduction

This presentation deals with an issue that is becoming increasingly common in architecture and archaeology: how to relate to the architecture of the past. How to build on territories which have been built on for hundreds or thousands of years, in order to protect, to study and to make accessible archaeological finds for scholars and tourists.
More specifically, we shall discuss the different paradigms behind the construction of protective shelters as a very specific kind of architectonical intervention in which the relation between archaeology and architecture, past and present, archaeological finds and new buildings, is particularly delicate. We shall deal with structures that beside their conservative function enable people to visit the architectural remains and help to interpret them. These interventions must be reversible and, if the excavations are still taking place, they should be located in a way that they do not interfere with the digs or the understanding of the site. Such projects range from an always partial or temporary protection, undertaken soon after a discovery, to large structures thought to protect and make accessible the excavation for the next generations.

Protective shelters on archaeological sites are a field in great expansion. Different disciplines, priorities and sensibilities toward the past and its interaction with the present have to interweave in order to formulate the best answer to the task. Archaeologists, architects, artists, engineers, historians, anthropologists, etc., have to establish a dialogue. Different approaches are possible as the great number and the variety of examples all-over the world show. Unfortunately, despite the large number of archaeological excavations, only very few examples can be found in the Middle East.

The aim of this paper is to outline a possible starting point for the development of a new paradigm on protective shelters in the Middle East. The attempt is not to understand how they should be built, but to understand what should be considered in their designing process.

The very specific conditions of archaeological sites in the Middle East (especially in Iraq and partly in Syria), urges the need for the construction of protective shelters. Without any conservative intervention, excavated built structures last for only a few years. Ancient structures such as walls (mostly built with sun-dried bricks with very few terracotta bricks) collapse due to the rain, erosion caused by the wind and dust, and phreatic waters.



Shelter and site, different approaches

What does it mean to protect an archaeological site with a shelter? 
Of course, such an intervention deals with the question of the re-introduction of the third dimension, there where the finds exist only as shallow remains. Building a roof means to define a volume, it means to re-construct a lost space. The new structure can establish different relations with the archaeological remains, depending on the adopted approach and its resulting features. We think that two main approaches are possible.

Shelter as an infrastructural matter:

Here we deal with interventions that justifies the choice of the form, of materials and the size of the new construction as a mere result of static, conservational and efficiency criteria.
Those kinds of interventions understand the new construction as scientific product, as an infrastructure. Beside this very functional and almost neutral approach to the design of the structure, the perception of the archaeological site is always deeply affected by the new construction, wanted or not.

The result of such an approach, are often structures that occupy the site without establishing any clear relation with it. The new structure exists as a foreign element that underlines his autonomy toward the archaeological finds. It is, for example, the case of the shelter for remains of an old synagogue in the Kibbutz of Ein Gedi, by Guggenheim & Bloch Architects. Here it seems that the architects sought to stress the formal and material difference between the shelter and what the shelter covers. Protective shelters such as this one, made out of stretched canvas, and light metal structures, are a very common solution to the need of a protective shelter. Rarely such shelters establish a real dialogue with what they protect and, paradoxically, often gain a protagonist role in the perception of the site.

In other cases, the very infrastructural, neutral approach can produce unforeseen aesthetic relations between shelter and archaeological finds, giving more importance and presence to the site. In the intervention from the seventies by the architect Emilio Pérez Piñero in the paleo-Christian cemetery of Tarragona, the light and translucent vaults on thin steel pillars, can even evoke the luminous and otherworldly destiny of the souls of the dead.

It is also interesting to comment the effect produced by some kind of large enveloping structures, such as the interventions by the Turkish creative studio Atölye in the Neolithic sites of Çatal Hüyuk and of Askli Hoyuk. They consist of roofs that have nothing to do, formally or typologically, with the protected remains. They do not want to give the impression that they are re-building anything. The shelter creates a sort of bubble, isolating the suite from the surrounding. The visitor can get the impression of having been transported to another land, maybe to another time.

Shelter as a poetical matter:

Another way to answer to the question on how the new construction should relate to archaeological finds can be through a more architectural approach. The architect establishes the shape in dialogue with archaeologists, historians and engineers. The context is observed, analysed and understood not only as a matter of scientifically measurable quantitative features, but also, and primarily, as a matter of cultural, historical, social, symbolic and poetical aspects. How should the visitor, perceive the new construction? What should be the atmosphere? Which materials should we chose in order to create a possible relation between the ancient and the contemporary crafts present in the context? These are questions that could arise by such an approach.

The shelter for the Roman ruins of a thermal bath in Chur, in Switzerland, by the architect Peter Zumthor, in 1986, consists of two volumes with tended roofs and wooden slats. The new construction encloses the few surviving ruins not as an intent of recreate the lost building, but with the attempt to create a connection between past and present through atmosphere; atmosphere understood as the element that can produce, in the “here and now”, an almost instinctive empathy for the past. The walls act as a screen between the outside and inside. The atmosphere of the city smoothly penetrates in the interior space through light, shadows and sounds. The ruins, thanks to the shelter that works at night as a kind of lantern that filters artificial light to the exterior, become part of the city. The city is enlightened by the ruins.

Such an “evocative” approach is often difficult to adopt in the case of Middle Eastern where archaeological sites are characterized by the superposition of an impressive amount of construction layers. This superposition causes practical and theoretical difficulties to the desire to evoke a specific building from a specific time thanks to the shape of a new shelter.

The most recent covering of the Pearling Path, in Muharraq (Barhain), by the Swiss architect Valerio Olgiati, is another interesting example. The shelter composed of concrete pillars and a concrete flat roof covers a path through an ancient dense urban fabric. The intervention attends different functions. It protects the site, it enlivens it, it clearly marks it among the structure of the old city, it brings a most necessary shadow for the visitors, and it defines two public buildings (the entrance and the museum). In this example, the differentiation between archaeological finds and architectural intervention is particularly subtle. Both existing columns and new pillars interact in the construction of space. The existent urban structure and the shelter are articulate in such a way that the shelter creates new spaces and it brings new perspectives on the already existing city by re-integrating the ancient structure in the city fabric.

Shelter and site; an intimate relation:

In some cases shelters have almost become more prominent than the ruins. We can think for example of the known shelter designed by Frederick Law Olmsted Jr. on the ruins of the Casa Grande, in Arizona, in 1932. We can have in mind, too, the shelter that the Yugoslavian architect Oton Jugovec designed and built in 1970 for the archaeological remains of the medieval church of Gutenwerth. The image of the shelter has replaced the image of the ruins of the church.

These shelters are not reconstructions, they are certainly not mimetic, they do not reproduce a lost historical building, but we do no longer think of the ruins without their protective roofs. 

Conclusions

Middle Eastern archaeological sites, during and after their excavation, are particularly affected by the disruptive effect of erosion. The propriety of the most common built material (adobe) causes that, without any kind of protection, an excavated site would last only a few years due the action of water, wind, and other agents of mechanical and chemical erosion. The construction of protective shelters is probably the only way to conserve and keep accessible an archaeological site. At the same time it has to be considered that their construction can represent an obstacle to the excavation process.

Archaeologists seem to have to face a dilemma that they should tackle consciously and critically. They should either excavate taking into consideration the limitation imposed by the presence of a shelter, or they should decide to be able to excavate more freely, faster, and with less costs, knowing that everything that will be excavated and exposed to the light will disappear forever.

If archaeologists decide that the excavation requires a protective roof, they should consider some aspects. A shelter is not only a functional architectural element. It inevitably interacts with the ruins; it affects their perception, in a good way, by helping to understand the site, or in a bad way, by making the reading of the finds difficult. Different approaches can be adopted, from very scientific ones, to very poetic and sensitive approaches. But independently from the adopted approach, in no case the new structure will exist as a neutral element.

A shelter introduces a third dimension among remains often existing as horizontal, shallow constructions. It introduces the dimension of space, the dimension of architecture, and possibly the dimension of life. The place where human beings once lived can become, through an appropriate intervention, the place where anyone, in a dreamed future, could live again. 

Barcelona, September-November 2019  

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